Cherrryh, C. J. Convergence.

NY: DAW, 2017.

Cherryh is, beyond dispute, one of the best purveyors of space opera EVER and this is the eighteenth volume of her magnum opus. It’s the story of a human colony ship that lost its way and was forced to land on a previously unknown world that already hosted a relatively advanced humanoid race. That was several centuries ago and the newcomers and the atevi have since learned not only to share the planet (though on different continents, and after some quantity of blood was spilled), they are now cooperating for their mutual benefit.

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Feintuch, David. Midshipman’s Hope.

NY: Warner Aspect, 1994.

Everyone says this opening volume of the “Seafort Saga,” which won the Campbell Award, is based heavily on Horatio Hornblower, but those people apparently don’t actually read Napoleonic naval adventures. The set-up is actually much more like Dudley Pope’s first novel featuring Lieut. Nicholas Ramage, in which the youngest and least experienced officer aboard a British warship suddenly finds himself thrust into command in the middle of a crisis. Because that’s what happens here, more or less.

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Stephenson, Neal. Seveneves.

NY: Morrow, 2015.

I read a great deal, well more than a hundred books a year, and by a large number of authors. Neal Stephenson, though, is one of a very short list of “automatic” authors for me, and has been since the appearance of Snow Crash in 1992. When I discover he has a new book coming out, I order it. I don’t even bother with reviews. Anything Neal writes, I want to read. And I’ve never been disappointed. It sometimes takes me awhile to figure out where he’s going with a narrative, what exactly it is that he thinks needs saying, but I always get there. And you sometimes have to be patient. The “Baroque Cycle” took me a couple years to work through, in thoughtful bites and chewing slowly. But it’s always worth the effort and the journey. His latest epic, Seveneves, definitely confirms that judgment.

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